Live Vocal Processing

On phase, that is definitely not unusual to see guitarists, and even bassists using floor-based effects pedals in order to manipulate their sound to match their instrumental performance with what they listen to in their heads. Wah-wah pedals, distortion pedals, and even complicated effects processors which allow for digital music looping and preprogrammed effects are typical fairly common in a guitar world.

Nevertheless, what is obviously unusual is to see a singer using the same type of equipment to enhance their vocal performance. While in the studio, really for singers to use a variety of music equipment in order to boost their vocal paths, this does not often translate to the stage, especially not by using a method that the singer can control in real time.

Many different studio effects can be replicated with vocal floor processors. This type of equipment is meant to lie toned on the stage floor, like a guitar processor chip, and allow the vocalist to use their feet to alter the types of vocal effects that can be applied. There are many outcomes available in these devices which can help a singer re-create the same processor 2018 performance that was captured in a studio recording. Multi-voice harmony may take a singer's voice and then digitally clone it in order to instantly create several harmony parts in tune with the current vocal. It may also allow a second singer to add multiple harmony parts to the lead singer's performance employing their voice instead. Double-tracking, where a singer includes several different takes of a vocal track into a layered version of the lead vocal, can be accomplished with this type of processor. This can add a richer, larger sound to the singer's voice, allowing him or her to lessen their own volume level and preserve their expressive cords for repeat activities.

Of course, it's not simply vocal-specific effects that are secured up inside these kinds of devices. The standard effects accessible to guitarists or other musicians can be utilized by singers. Reverb and delay are a pair of the most popular classic effects as it pertains to performing, and both can be employed in order to improve the drama or poignancy of any vocal track. Regarding singers who are thinking about exploring the more extreme side of effects processing, distortions and phaser effects can transform your voice into something almost distorted. A special foot-pedal allows vocalists to roll outcomes on and off in order to organically blend them into the overall sound they are trying to achieve.

Some vocalists do not feel comfortable controlling this type of kit during a show, and they prefer to leave their vocal processing in the hands of the sound engineers who are mixing the concert. For higher-budget productions who can afford personnel to track dedicated sound cues, rack-mounted versions of vocal processing equipment are in the same way useful for getting the most out there of a singer's tone of voice. Rack mount equipment is a little more fragile than floor processors, but it also usually has more options and more power jam-packed inside its casing.

Employer SE-50 Multi-Effects Processor

Employer is a manufacturer of electronic musical instruments and accessories based in Asia. The business is a subdivision of Roland, one of the most significant producers of musical instruments in the world. Over the years, Boss has released a number of sähkötupakka, starting from guitar distortion throtle to drum machines and samplers. One of its most enduring products, which is still widely used today despite having recently been first released over two decades ago, is the SE-50 multi-effects processor.

The particular SE-50 was the first half-rack multi-effects processor developed by Boss and was especially designed with guitarists in mind. The consequences unit is outfitted with an array of effects typical of such units, including distortion, chorus and flanger. Unconventional, however, is the addition of a 7-band digital vocoder. In total the unit offers 28 pre-specified algorithms, nine which are reverb-only effects.

Even though Manager SE-50 was actually conceived as a guitar multi-effects processor, in recent years it has gained popularity among many harsh EBM rings. These musicians use the unit's pitch shifter result to process vocals both live and on recordings. The SE-50's pitch shifter (patch 112), offers four frequency bands, each of which is often processor 2018 detuned independently. This particular effect, and by file format the SE-50 itself, is at a define the processed vocals of a number of modern electro-industrial bands. Widely-used settings include pitching the top two frequency bands up one to two semitones while at the same time detuning the lower bands by a similar amount. This is certainly then combined with vocal styles similar to those used in some types of extreme metal, such as high or low-pitched screams and growls.

Users should take note that the SE-50 stores presets using an internal battery, similar to those found in watches and other consumer electronics, which has a lifespan of less than several years. When this power supply fails, which is to be expected due to the SE-50's age, all user-defined parameters will go back to factory presets. Replacing the battery will bring back the SE-50's ability to save user presets, though settings which were not stored by using an external backup system might not exactly be retrievable.

In spite of the unit's shortcomings, the fact that it is widely obtainable at prices less than $100 has ensured its widespread use among various guitarists and electronic musicians. Bands which may have used the SE-50 include Nine Inch Nails, Duran Duran, Kraftwerk,: wumpscut:, Information Community, Suicide Commando, Die Krupps, Grendel and Tactical Sekt.